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€500,00
Mali. Masque Ciwarakun
Une des oeuvres les plus reconnaissable de la culture Bamana et de tout l’Art africain est coiffe d’antilope CI-WARA. En tant que société vivant essentiellement de l’agriculture, les hommes et les femmes BAMANA vénéraient le CI WARA comme une divinité contribuant à l’abondance des récoltes. Pendant des cérémonies qui se déroulaient dans les champs, deux danseurs représentant un mâle et une femelle portait sur le tête un cimier CI-WARA tout en étant complétement revêtus de rafias. Ils exécutaient ainsi une danse sacrée qui évoquait l’Union du feu, de la terre et de l’eau.
Hauteur approx. 91 cm. -
Original price was: €290,00.€250,00Current price is: €250,00.
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€400,00
Mali. Masque Sénoufo
Un très important et parfait masque Sénoufo (Mali). Les Sénoufos, constituent une population d’Afrique de l’Ouest, présente au Burkina Faso, dans le Sud du Mali et en Côte d’Ivoire. Les Sénoufos sont essentiellement des paysans qui cultivent le riz, le mil, le maïs, l’igname, le coton, le karité, la mangue ou encore le thé. Ils ont coutume de célébrer les moissons comme les semences par d’importants rituels collectifs mettant en scène de magnifiques masques formidablement ouvragés et âprement recherchés des collectionneurs.
H. approx. 38 cm. -
€290,00
Mali. Pilier Toguna
Important élément d’architecture anthropomorphe probablement issu d’un Toguna (case à palabres) où le village venait entendre les paroles des sages doyens.
H : 101 cm. -
€90,00
Mali. Tête Janus.
Hauteur approx. 23,5cm.
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Masque à patine sombre, Afrique occidentale
Un très beau masque d’Afrique occidentale. Patine noire et profonde. Probablement Nigéria.
H. approx. 30 cm. -
It was not until the end of the 1960s that statues of the Mumuye culture in northeastern Nigeria appeared on the European art scene, but their impact was immediate and profound. Fans of African art were amazed to discover the abstract interpretation of the human body by the Mumuye, an interpretation which recalls the approach of anatomy by artists of the Cubist and Expressionist movements at the beginning of the 20th century. In addition, their anthropomorphic sculpted figures offer astonishing variations which testify to the very free creativity of these artists and their limitless inventiveness. A careful analysis of the extraordinary forms of these figures – which give off an incredible impression of movement – has led to the establishment of a stylistic classification which identifies different workshops, and even the hands of individual sculptors. In a summary of the rare studies carried out in the field, the book analyzes the essential role of these figures as symbols of a status and a social rank and their links with the veneration of the ancestors, but also their use in the healing practices. and divination. The work offers a selection of masks and other objects, but it focuses above all on the sculpted figures. By presenting around thirty masterpieces from public and private collections,
Mumuye: Sculptures from Nigeria, the human figure reinvented
By
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It was not until the end of the 1960s that statues of the Mumuye culture in northeastern Nigeria appeared on the European art scene, but their impact was immediate and profound. Fans of African art were amazed to discover the abstract interpretation of the human body by the Mumuye, an interpretation which recalls the approach of anatomy by artists of the Cubist and Expressionist movements at the beginning of the 20th century. In addition, their anthropomorphic sculpted figures offer astonishing variations which testify to the very free creativity of these artists and their limitless inventiveness. A careful analysis of the extraordinary forms of these figures – which give off an incredible impression of movement – has led to the establishment of a stylistic classification which identifies different workshops, and even the hands of individual sculptors. In a summary of the rare studies carried out in the field, the book analyzes the essential role of these figures as symbols of a status and a social rank and their links with the veneration of the ancestors, but also their use in the healing practices. and divination. The work offers a selection of masks and other objects, but it focuses above all on the sculpted figures. By presenting around thirty masterpieces from public and private collections,
Mumuye: Sculptures from Nigeria, the human figure reinvented
By
-
It was not until the end of the 1960s that statues of the Mumuye culture in northeastern Nigeria appeared on the European art scene, but their impact was immediate and profound. Fans of African art were amazed to discover the abstract interpretation of the human body by the Mumuye, an interpretation which recalls the approach of anatomy by artists of the Cubist and Expressionist movements at the beginning of the 20th century. In addition, their anthropomorphic sculpted figures offer astonishing variations which testify to the very free creativity of these artists and their limitless inventiveness. A careful analysis of the extraordinary forms of these figures – which give off an incredible impression of movement – has led to the establishment of a stylistic classification which identifies different workshops, and even the hands of individual sculptors. In a summary of the rare studies carried out in the field, the book analyzes the essential role of these figures as symbols of a status and a social rank and their links with the veneration of the ancestors, but also their use in the healing practices. and divination. The work offers a selection of masks and other objects, but it focuses above all on the sculpted figures. By presenting around thirty masterpieces from public and private collections,
Mumuye: Sculptures from Nigeria, the human figure reinvented
By
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€4.100,00
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€4.100,00
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€4.100,00